
Because suburbia occupies a dominant presence in so many lives—a place of not only residence but also of work, commerce, worship, education, and leisure—it has become a focal point for competing interests and viewpoints. The suburbs have always been a fertile space for imagining both the best and the worst of modern social life. more
Drawn Here: Sean Griffiths of FAT
Target Free Thursday Nights
Thursday, March 6 7:00 pm
Escape to the Suburbs!
Free First Saturday
Saturday, April 5 10:00 am to 3:00 pm
Next Exit: The Shifting Landscape of Suburbia
Target Free Thursday Nights
Thursday, April 24 7:00 pm

All essays are originally from the companion book for this exhibition, Worlds Away: New Suburban Landscapes. Some essays appear in excerpted form where noted.

American, b. 1972, Mobile, Alabama; lives and works in New York
Chris Ballantyne’s landscape paintings and prints often take a bird’s eye view of man-made forms set in expansive planes of grass or ocean. Jetties, swimming pools, fences, parking lots, and tract homes are common subjects; and although these constructions are so ubiquitous in our everyday lives as to be mundane, the artist subtly twists the logic of their forms, rendering them as entirely uncanny. Pools are surrounded by mounds of dirt instead of homes, fences dead-end without enclosing a yard, parking lots exist autonomously without linking to roads, and houses grow into multiple wings that connect with each other at improbable angles. The familiar geometries of rooftops and parking lines are thus rendered abstract—their lat planes of color appear as both a diagram and a dream. Ballantyne’s aesthetic was influenced by his family’s many moves during his childhood across the southern coast of the United States for his father’s work with the U.S. Coast Guard. His experience living in various suburban areas gave him a sense of the homogeneity of residential development across the country as well as an awareness of expanding urban areas gradually encroaching on the natural landscape and ways that suburban development is primarily determined by emphatic borders around private property. Since earning his MFA from the San Francisco Art Institute in 2002, the artist has been interested in creating an “uneasy sense of quiet” through paintings, prints, drawings, sculptures, and murals in which an uninhabited architecture is arranged to interrogate the balance between nature and culture.
We asked people to make a video telling us about the suburbs and put it on YouTube. Selected videos are showing in the gallery at the Walker Art Center during the run of the exhibition.
Do you live in a suburb? Do you work or go to school in one? What is your experience of the “burbs? ”…
Whether you love them or hate them we’re interested in your thoughts on the phenomenon of the American suburb. We invite you to make a 5-minute video about strip malls, cul-de-sacs, office parks, and green lawns or whatever suburbia means to you. A select number of videos will be chosen to screen as part of the exhibition Worlds Away: New Suburban Landscapes in the Target Gallery from February 15 to May 18, 2008.
To participate, upload your video to YouTube and add the tag “walkerworldsaway” or post it as a response to our video above. We’ll feature all videos on the Walker’s YouTube page. To be considered for gallery screening, entries must be 5 minutes or less and be online by January 18, 2008.